2026년 8월 3주차 AI 유머

• GPT — 92.0 채택
• DeepSeek — 48.0
• Claude — 40.0
• Grok — 38.0

채택 프롬프트 (GPT): A photogenic Korean man in his 20s in tidy casual streetwear and clean sneakers is walking a big white Samoyed; the dog is bracing all four paws and refusing to cross a palm-sized puddle. The leash is already taut at second 0 as the owner leans back hauling with both hands, while the Samoyed skids backward with a stubborn-but-not-scared expression. Vertical 9:16 medium-full body framing, slight handheld drift, faces stay recognizable. MOTION: [0-1s] active tug-of-war, paws scraping and sneakers sliding. [1-6s] the owner pulls harder, feet slipping on wet tiles, the dog digs in, collar and leash tension visible every second. [6-8s] the owner’s shoes slip and he plops butt-first into the puddle with a bright splash; the dog instantly hops lightly over and sits primly behind him, blinking once as he laughs. Live-action, bright cheerful daylight, clean Korean apartment walkway with Hangul signage.

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• Gemini — 92.0 채택
• GPT — 85.0
• DeepSeek — 48.0
• Claude — 45.0
• Grok — 35.0

채택 프롬프트 (Gemini): A medium-low angle shot of a photogenic Korean man in his 20s crouched near a clean street drain grate. The camera holds a natural handheld drift. [0-1s] A white wireless earbud wobbles to a stop right over a drain hole; the man freezes mid-lunge, arm outstretched. [1-6s] He slowly creeps forward in exaggerated slow-motion steps, his arm stretching further, his face a mask of playful, intense concentration. [6-8s] His own sneaker toe accidentally nudges the earbud, sending it falling cleanly through the grate hole; his hand is left grabbing empty air as he blinks with a deadpan, amused expression. Live-action realism, bright day lighting, clean Seoul alley.

▶ 쇼츠 보기

• GPT — 88.0 채택
• Claude — 65.0
• DeepSeek — 55.0
• Grok — 35.0

채택 프롬프트 (GPT): SUBJECT: A photogenic Korean man in his 20s and a photogenic Korean woman in her 20s, casual neat outfits, clean even-toned skin. ACTION: On a sunny Hangang park path at second 0, he is already dropping onto one knee in front of her as her hands fly to her mouth and she steps back, thrilled; she reaches one hand out while he ignores the romantic moment and briskly grabs her loose sneaker lace, tying it with firm, efficient tugs and a tight double-knot. CAMERA: Vertical 9:16 medium full-body, slight handheld drift, centered on both. MOTION: [0-1s] he sinks, her excited backstep is visible; [1-6s] she keeps tiny retreat-steps and reaches out while he ties faster, cinching twice; [6-8s] he slaps his knee, stands, strides past ahead; she stays mid-offer pose, then slowly turns her head to follow him. STYLE: live-action, bright cheerful color. BACKGROUND: Clean Hangang riverside park path with Korean signage, trees, bikes in distance.

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• Gemini — 95.0 채택
• Gemini — 75.0
• GPT — 65.0
• Claude — 42.0
• Opus 5 — 38.0
• DeepSeek — 36.0
• Grok — 34.0

채택 프롬프트 (Gemini): SUBJECT: A photogenic Korean man in his 20s in clean smart-casual shirt, beside a photogenic Korean colleague in her 20s. START: The man sits upright taking notes, his right hand ten centimeters above the chair's visible height lever. CAMERA: Medium-low front-angle holding close framing on tabletop and chair base with minimal handheld drift. MOTION: [0-1.5s] The man writes rapidly in his notebook while glancing toward his speaking colleague. [1.5-3.5s] His dropping right hand knocks the black lever downward, triggering the gas cylinder to hiss and compress. [3.5-5s] His chair plunges fully downward, his shoulders sinking below the table edge until only his eyes and forehead remain visible. [5-6.5s] Instead of rising, he reaches both arms straight up over the table lip and resumes scribbling smoothly in his notebook. [6.5-8s] He nods affirmatively toward his colleague with calm wide eyes, hands scribbling continuously above his hidden head. INVARIANTS: Table, chairs, and conference room walls stay rigid and unchanged; one continuous take; the man maintains his gaze toward the colleague's notebook. STYLE: Crisp live-action realism, bright even office lighting. BACKGROUND: A sleek modern Korean corporate meeting room with glass whiteboard.

• Gemini — 88.0 채택
• Opus 5 — 40.0
• GPT — 38.0
• Grok — 35.0
• Gemini — -
• DeepSeek — -

채택 프롬프트 (Gemini): SUBJECT: Seo Junhyeok, a photogenic Korean man in his 20s, and a photogenic Korean woman in her 20s holding a smartphone. START: He stands 60cm from a small wooden cafe table, gripping the tablecloth edge taut as ceramic cups and plates sit centered on it. CAMERA: Low table-height vertical 9:16 framing with subtle handheld motion. MOTION: [0-1.5s] He rocks his weight backward, drawing the tablecloth taut while dishes remain undisturbed on the table. [1.5-3.5s] He rips the cloth toward his chest in one explosive horizontal pull, whipping fabric free into his hands. [3.5-5s] The plates wobble slightly yet stay standing upright, while the four wooden table legs suddenly skid forward across the smooth floor. [5-6.5s] The entire table slides forward the full distance and bumps squarely into his shins, jolting his knees back. [6.5-8s] With cloth balled in one fist, he points proudly at the untouched standing cups with an ecstatic triumphant grin, gazing at his friend. INVARIANTS: Cafe walls, polished floor, and ceramic dishes remain intact and rigid. STYLE: Live-action candid realism, bright even lighting. BACKGROUND: Modern sunlit Korean cafe with warm wood interior.

• Gemini — 95.0 채택
• Opus 5 — 48.0
• Grok — 42.0
• DeepSeek — 35.0
• GPT — -

채택 프롬프트 (Gemini): SUBJECT: A photogenic Korean man in his 20s and a fluffy Welsh corgi. START: The man sits cross-legged on the right sliding two of three inverted paper cups on a soft living room mat, while the corgi sits 30cm away leaning its snout toward the cups. CAMERA: Floor-level eye view, slight handheld drift. MOTION: [0-1.5s] The man continues sliding two cups back and forth across the mat in a quick shuffle motion, the corgi leaning its snout closer. [1.5-3.5s] The man pulls both hands back with open palms gesturing toward the cups, and the corgi extends its neck to sniff the middle cup once. [3.5-5s] The corgi shifts weight onto its left shoulder and raises its thick right front paw high above the mat. [5-6.5s] The dog violently sweeps its right paw sideways across all three cups, sending them tumbling outward across the floor, and immediately dips its snout to grab the exposed brown treat. [6.5-8s] The corgi munches the treat among the rolled cups, while the man reaches down and lifts one empty overturned cup into the air with a stunned, amused expression, staring down at the bare floor. INVARIANTS: Mat and living room stay rigid and unchanged; one continuous take; characters do not look into the lens. STYLE: Live-action realism, bright warm interior lighting. BACKGROUND: Modern clean Korean apartment living room with wooden flooring and play mat.

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• Claude — 95.0 채택
• GPT — 62.0
• DeepSeek — 48.0
• Gemini — 38.0
• Grok — 35.0
• Opus 5 — -

채택 프롬프트 (Claude): A photogenic Korean man in his 20s, Jeong Yejun, with intense charismatic eyes and confident presence, strides through Seoul Station's bright marble concourse pulling a hard-shell navy suitcase. At second 0 he is mid-stride, right arm extended back gripping the telescoping handle, the suitcase tilted on two wheels about 60cm behind his hip, the right rear wheel visibly wobbling loose on its half-unscrewed axle as it rolls across the polished floor, a clear gap of three centimeters of exposed axle visible between the wheel hub and the case body, nothing has fallen yet. Camera low at shin height looking slightly upward, minimal handheld drift tracking his forward motion. [0-1.5s] He takes two more confident strides, the loose wheel wobbling and rattling audibly as it rolls, his expression fiercely cool and unaware. [1.5-3.5s] The wheel suddenly pops off the axle and skitters sideways across the marble; the suitcase's right corner drops and slams flat onto the floor with a grinding scrape. [3.5-5s] His forward stride drags the stuck case, the telescoping handle stretches taut, then with a sharp metallic snap rips clean out of the top socket, collapsing to its shortest length in his hand. [5-6.5s] The suitcase flops backward flat onto its back on the marble with a bounce of the lid while he strides four more big steps forward holding only the naked chrome handle aloft in the air, arm still extended back, expression still confident and oblivious. [6.5-8s] He stops mid-stride, lowers his gaze to the empty handle in his hand, stares at it with sudden loss of charisma, then rotates his head back over his shoulder toward the abandoned suitcase lying flat on the floor behind him. The marble floor, steel departure board, and Korean station signage stay rigid and unchanged throughout. One continuous take, same man, no cuts. Live-action realism, bright even fluorescent lighting, crisp saturated colors, clean modern Korean transit terminal. His eyes move from the handle to the floor behind him, never into the lens.

▶ 쇼츠 보기

• Opus 5 — 92.0 채택
• Gemini — 50.0
• GPT — 48.0
• Grok — 35.0

채택 프롬프트 (Opus 5): A photogenic Korean man in his 20s and a photogenic Korean woman in her 20s, neat hair, clean casual clothes, sit side by side in a white swan boat cockpit on Seokchon Lake. START: he is in the left seat, she in the right, both hands on the center rail, their four sneakers already mid-rotation on two large pedal cranks 40 cm apart at frame center, bow pointing straight down the lake, another swan boat 10 meters ahead-left. CAMERA: low vertical framing at cockpit level from just in front of the bow, minimal handheld drift, one continuous take. MOTION: [0-1.5s] four legs pumping normally, cranks turning, bow straight. [1.5-3.5s] both stomp down hard at the same instant, knees driving, and the bow lurches sideways, water swirling. [3.5-5s] each leans in, arguing, thighs pumping faster; the hull rotation accelerates, her hair and the little flag whipping. [5-6.5s] the two opposing strokes cancel and the boat spins a full turn in place, bow now facing backward, while the other swan boat glides calmly past on the right. [6.5-8s] boat still slowly rotating, both stop pedaling, feet resting on the cranks, and they turn their eyes to the departing swan boat, then down at each other's pedals. INVARIANTS: same two people, cockpit, rail, cranks and railings stay rigid and unchanged, nobody looks at the lens. STYLE: photorealistic live-action, bright cheerful daylight, saturated colors. BACKGROUND: Seokchon Lake, Korean park railings and Lotte Tower in clear sky.

▶ 쇼츠 보기

• GPT — 92.0 채택
• Gemini — 62.0
• Opus 5 — 45.0
• Grok — 35.0

채택 프롬프트 (GPT): Live-action footage in a bright Korean office meeting room. Two photogenic Korean men in their 20s sit shoulder-to-shoulder at a shared table; Mun Juan (photogenic Korean man, early 20s, youthful) is center-right, drowsy, and his coworker (photogenic Korean man, 20s) sits immediately left taking notes; a photogenic Korean male presenter (20s) stands 2m away at a whiteboard with a marker up. START: the men’s thighs are visibly pressed together under the table edge, and Mun Juan’s right hand hangs 15cm above them while his head nods. CAMERA: vertical 9:16, low at table-edge height, slight handheld drift. MOTION: [0-1.5s] Mun Juan nods and his hand slides down; coworker writes. [1.5-3.5s] Mun Juan’s eyes close, head dips once, and his fingers clamp a pinch onto the neighbor’s thigh. [3.5-5s] coworker stiffens, knee jerks up and bangs the table, papers hop; he twists to look down under the table. [5-6.5s] Mun Juan keeps pinching; coworker rockets up with a yelp, chair rolling back, one arm flung straight overhead as the presenter gestures like asking for questions. [6.5-8s] coworker is stuck standing with arm up, embarrassed gaze at the presenter; Mun Juan snaps to wide-eyed innocent attention at the whiteboard. INVARIANTS: one take, same people, table/whiteboard stay rigid, no one looks into the lens.

▶ 쇼츠 보기

• Gemini — 85.0 채택
• Opus 5 — 38.0
• GPT — 35.0

채택 프롬프트 (Gemini): Live-action candid footage in a bright modern Korean boxing gym with blue floor mats. SUBJECT: A photogenic Korean man and a photogenic Korean woman in their 20s in clean athletic wear. START: Camera at hip height three paces away; the woman softly taps her bag while the man is half a step to her right, his right foot lifted ten centimeters off the mat with a visible gap before his still chain-hung sandbag. CAMERA: Eye-level framing with subtle natural handheld drift. MOTION: [0-1.5s] The woman gently taps her sandbag; the man smirks mockingly and winds his torso back. [1.5-3.5s] The man fires a full-power roundhouse kick squarely into his sandbag, launching it high forward on its chain. [3.5-5s] The man turns his back to the swinging bag, puffing his chest proudly while the bag swings back on its return arc. [5-6.5s] The returning sandbag slams into the man's upper back, tumbling him into a forward roll across the mat while the woman steps back one clean pace. [6.5-8s] The man sits up on the mat sheepishly rubbing his shoulder, while the woman glances down at him with an amused grin. INVARIANTS: Hanging chains, gym walls, and boxing mats stay rigid and unchanged; neither looks into the lens. STYLE: Live-action realism, crisp lighting, saturated gym colors. BACKGROUND: A clean Seoul boxing club with Hangul training banners.

▶ 쇼츠 보기

• Gemini — 95.0 채택
• Opus 5 — 85.0
• GPT — 60.0
• Grok — 35.0

채택 프롬프트 (Gemini): SUBJECT: Seo Junhyeok, a photogenic Korean man in his early 20s with neat dark hair and a bright green t-shirt, and an energetic golden retriever. START: Junhyeok stands by the garden flowerbed holding a hose spraying water downward while the retriever gallops 1.5 meters to his right. CAMERA: Waist-height medium wide shot, minimal handheld drift, continuous single take. MOTION: [0-1.5s] Junhyeok smiles gently guiding the steady water stream over blossoms as the dog closes the distance in a full gallop. [1.5-3.5s] The dog lunges forward and clamps its jaws firmly onto the spraying nozzle. [3.5-5s] The dog violently whips its head left and right, flinging water in wild chaotic spirals while Junhyeok frantically pulls back on the hose with both hands. [5-6.5s] The swinging nozzle blasts a heavy direct jet across Junhyeok's face and chest, causing him to reel backward and drop onto his backside on the wet lawn. [6.5-8s] Junhyeok sits soaked on the grass with hands raised in playful disbelief, staring at the retriever who proudly shakes the splashing hose. INVARIANTS: Garden brick border and lawn stay rigid and unchanged; no lens stare. STYLE: Photorealistic candid live-action, crisp natural daylight, vibrant green backyard. BACKGROUND: A clean, sunny modern Korean townhouse garden with brick flowerbed and manicured turf.

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• Opus 5 — 92.0 채택
• GPT — 68.0
• Grok — 45.0
• Gemini — 35.0

채택 프롬프트 (Opus 5): SUBJECT: a photogenic Korean man in his 20s, neat hair, clean white tee and light chinos, photographing a photogenic Korean woman in her 20s in a bright yellow blouse. START: he is mid-stride walking backwards, phone raised in both hands at eye level, heels about 80cm from a knee-high pale stone fountain rim with clear sunlit water; she stands 4m in front, arms out in a pose. CAMERA: hip-height vertical framing just behind her shoulder, minimal handheld drift, man and fountain rim large in the middle band. MOTION: [0-1.5s] she holds the pose, he keeps stepping backwards, rim clearly two steps behind his heels, nothing wrong yet. [1.5-3.5s] he waves one hand for more, takes another backward step, his calf knocks squarely into the stone rim. [3.5-5s] his torso tips back, both arms windmill hugely, one foot lifts off the path. [5-6.5s] he splashes down seated in the shallow water, spray bursting up, both arms punching the phone high and dry. [6.5-8s] he sits soaked, arms still stretched up, eyes going from the dry phone to the water at his waist; she keeps her pose, gaze on his lens. INVARIANTS: fountain, path, hedges and benches stay rigid and unchanged; one continuous take, same two people, nobody looks at the lens. STYLE: live-action photorealistic candid footage, bright cheerful midday sun, crisp saturated color. BACKGROUND: a present-day Korean city park with Korean signage and trimmed hedges.

▶ 쇼츠 보기

• Opus 5 — 95.0 채택
• Grok — 82.0
• Gemini — 38.0
• GPT — -

채택 프롬프트 (Opus 5): Two photogenic Korean men in their 20s, neat wet hair, clean swim shorts, at a bright modern Korean indoor swimming pool. START: the sneaker is mid-tiptoe two steps behind his friend on a white diving board, both feet on dry board, a glossy wet patch one step ahead of his lead foot, hands stretched 40cm short of the friend's back; the friend stands at the tip facing the water, arms loose. CAMERA: low vertical framing at board level behind the sneaker, minimal handheld drift. MOTION: [0-1.5s] he takes one slow exaggerated tiptoe stride forward, mischievous grin, hands creeping toward the friend's back, wet patch glinting ahead. [1.5-3.5s] his lead heel plants on the wet patch and skids out, both arms fly up, torso snapping backward. [3.5-5s] he windmills both arms hugely, one knee kicking high, body tilting past the board edge, hands clutching empty air. [5-6.5s] he drops off the side and slams into the water with a big bright spray; the untouched friend turns his head and shoulders around. [6.5-8s] the friend stands dry at the tip grinning, waving down with a loose relaxed hand, eyes on the bobbing soaked man who looks up at him from the water. INVARIANTS: board, ladder, tiled walls and lane ropes stay rigid and unchanged; one continuous take, same two men, nobody looks at the lens. STYLE: live-action photoreal candid footage, bright even cheerful lighting, crisp saturated colors. BACKGROUND: Korean indoor pool with Korean-language safety signage on tiled walls.

▶ 쇼츠 보기

• GPT — 92.0 채택
• Opus 5 — 88.0
• Gemini — 83.0
• Grok — 35.0

채택 프롬프트 (GPT): Live-action vertical 9:16 footage in a bright modern Korean office lobby. Subject: Jeong Yejun, a photogenic Korean male in his 20s, neat office clothes with tie and ID lanyard. Start: at second 0 he is right-profile, right shoulder already pressed flat against the glass door, feet staggered mid-push, lanyard swinging; a small Korean 'PULL' sticker is clearly visible 20 cm from his face while he stares straight ahead; camera chest-height outside the door ~1.5 m away. Camera: steady handheld with slight natural drift. Motion beats: [0-1.5s] he drives his shoulder, door does not move. [1.5-3.5s] he slaps both palms on the glass and pushes with legs; shoes squeak-slide back on marble, tie flaps. [3.5-5s] pushing escalates, glass flexes; his eyes drop and lock onto the PULL sticker inches from his nose. [5-6.5s] without changing the full-body lean, he hooks two fingers on the handle and pulls a few cm; the door swings toward him and he stumbles a half-step with it. [6.5-8s] he straightens, smooths his collar, and strolls inside with an ultra-cool deadpan gaze aimed at the elevator. Invariants: one take, same people (only him), door and lobby stay rigid and unchanged, no lens-look. Style: crisp photorealism, bright cheerful lighting, Korean signage and interior.

▶ 쇼츠 보기

• GPT — 90.0 채택
• Gemini — 36.0
• Grok — 35.0
• Opus 5 — -

채택 프롬프트 (GPT): Live-action, bright cheerful daytime footage at a present-day Korean zipline park with Korean safety signage on a clean wooden arrival deck. Two photogenic Korean men in their 20s: Kang Doyoon rides the zipline centered; his friend stands left foreground on the deck. Start: friend back three-quarters to camera facing along the cable, beginning to lift a hand; Doyoon faces the deck and camera, 1 meter out, gliding in on a visibly sagging cable. Camera stays on-deck at chest height with slight handheld drift, one continuous take. [0-1.5s] Doyoon glides closer, foot extended, friend raises hand higher. [1.5-3.5s] Doyoon’s sneaker misses the deck edge by a hand-span; his forward glide stops dead and his body swings. [3.5-5s] He pedals the air and reaches toward the rail; the sag pulls him back. [5-6.5s] He slides backward down the curve, shrinking fast, arm still out for a high-five; friend’s raised hand hovers awkwardly and gives a late little wave at empty air. [6.5-8s] Doyoon is small over the valley still drifting away; friend stares down the cable. Invariants: rigid deck, rigid cable path, same two people, no lens-looking, faces stay recognizable.

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• Opus 5 — 95.0 채택
• GPT — 75.0
• Gemini — 45.0

채택 프롬프트 (Opus 5): SUBJECT: a big fluffy golden retriever and one photogenic Korean woman in her 20s, neat hair, clean cream sweater, kneeling at frame right behind the far armrest folding a blanket. START: camera at rug height 2 m out, the glossy ivory wax-slick leather sofa side-on across the frame, both armresta visible, bare rug beyond the far armrest; the retriever at frame left, chest and muzzle pointing right, hind legs coiled mid-stride, 80 cm of bare rug still between its front paws and the sofa base. CAMERA: tight low vertical framing, minimal handheld drift. MOTION: [0-1.5s] the dog bounds rightward across the rug, ears lifting, tail up, the empty slick cushion clearly ahead. [1.5-3.5s] it launches; front paws slap the leather and skid outward with no grip, chest sliding right. [3.5-5s] the whole body toboggans along the cushion, legs splayed, ears flapping, the woman's head turning up. [5-6.5s] it slides over the far armrest and drops onto the rug in a soft fluffy heap, one back leg hooked on the sofa; the woman's hands fly up. [6.5-8s] the dog stands, hops back up, sits primly upright, gaze fixed on the sofa arm, tail wagging; she stares at the dog. INVARIANTS: sofa, rug and walls stay rigid and unchanged, one continuous take, same dog and same woman, nobody looks into the lens. STYLE: photorealistic candid live-action, bright cheerful daylight, crisp saturated color. BACKGROUND: a tidy present-day Korean apartment living room with Korean signage on a wall calendar.

• GPT — 95.0 채택
• Gemini — 45.0
• Grok — 35.0
• Opus 5 — 32.0

채택 프롬프트 (GPT): Live-action vertical 9:16 footage on a bright Han River bike path in Korea. Subject: Han Jiho, a photogenic Korean man in his early 20s on a glossy new road bike; plus one photogenic Korean male friend in his 20s at frame left. Start: he faces the camera 3 m ahead at hip height; both sneakers sit on the pedals with a clear 20 cm air gap to the pavement; hands on drop bars; right knee begins to press; bike upright. Camera: same framing, slight handheld drift only. Motion beats: [0-1.5s] he poses coolly, micro-rocking the bike, wheels still. [1.5-3.5s] he pushes the right pedal; front wheel wobbles; his left foot reaches down and finds only air. [3.5-5s] the whole bike-rider unit leans left in slow dignified tip; his face stays ultra-serious. [5-6.5s] shoulder and hip settle onto the pavement; bike lands against him; front wheel spins. [6.5-8s] still hugging the frame, he calmly pulls out his phone and fake-scrolls, gaze on the screen; friend looks down, amused. Invariants: one take, same people, rigid path/railings/signage unchanged, faces stay recognizable, bright cheerful lighting.

• Opus 5 — 88.0 채택
• Grok — 35.0
• Gemini — -

채택 프롬프트 (Opus 5): SUBJECT: a photogenic Korean man in his 20s, neat hair, clean white tee and beige apron, and a photogenic Korean woman in her 20s in a tidy pastel knit. START: he stands at the induction hob on the left, face and chest turned toward the camera and toward her on the right, right arm still finishing its upward pan swing, pan tilted at shoulder height; the golden pancake hangs 60cm above his head near the top of frame; she sits two steps right at the dining table, chin lifted, empty white plate raised flat in both hands at chest level, arms still down close to her body. CAMERA: wide chest-height framing, the whole bright kitchen with ceiling visible, minimal handheld drift. MOTION: [0-1.5s] his arm completes the upward swing, her chin lifts, the pancake still climbing high; [1.5-3.5s] the pancake peaks and tips over well off to his side, both heads snap up tracking it and both instantly fling their arms wide, torsos leaning back as if it is ruined; [3.5-5s] the lean deepens, his pan sinks down to his hip, her elbows stay flared with the plate still held up, the pancake tumbling down through the middle of frame; [5-6.5s] it lands flat and dead-center on her raised plate with a soft bounce; [6.5-8s] she stares down at the plate then up at him, he tucks the pan under his arm and takes a small smug bow, eyes on her plate. INVARIANTS: one continuous take, same two people, hob, table and ceiling stay rigid and unchanged, nobody looks into the lens. STYLE: photorealistic candid live-action, bright even cheerful lighting, crisp saturated colors. BACKGROUND: a tidy present-day Korean apartment kitchen with Korean-labeled condiment jars and a slim tiled backsplash.

▶ 쇼츠 보기

• Opus 5 — 95.0 채택
• Gemini — 45.0
• GPT — -

채택 프롬프트 (Opus 5): SUBJECT: Kim Taeyul, a photogenic Korean man in his 20s, neat black hair, clean white tee and light jacket, carrying a cafeteria tray with a brimming soup bowl. START: he is mid-stride down the aisle, face and chest pointed straight at the camera, the shiny wet smear on the tiles one step ahead of his leading sneaker, between his foot and the lens. CAMERA: low hip-height frontal shot, waist-up-and-wider full scene, minimal handheld drift. MOTION: [0-1.5s] he keeps walking toward the lens, tray level, soup trembling at the rim; [1.5-3.5s] his leading sneaker plants on the wet smear and skates forward, hips dropping fast; [3.5-5s] the front leg shoots out into a splits-deep slide, back knee sinking, both arms locking straight to hold the tray flat; [5-6.5s] he lands in a deep lunge, tray perfectly horizontal, soup sloshing once and not one drop leaving the bowl; [6.5-8s] he holds the lunge deadpan, eyes dropping to the untouched soup, then gathers his legs and rises. INVARIANTS: floor, long tables, trays and Korean menu signage stay rigid and unchanged; one take, one person, nobody looks into the lens. STYLE: photorealistic candid live-action, bright even cheerful lighting, crisp saturated colors. BACKGROUND: a clean present-day Korean school cafeteria with long tables and Korean menu boards.

• Gemini — 92.0 채택
• GPT — 38.0
• Opus 5 — -

채택 프롬프트 (Gemini): SUBJECT: Jeong Yejun, a photogenic Korean man in his 20s with charismatic sharp features, and his calm male friend in his 20s. START: Jeong Yejun hangs from two orange knee-height holds, dangling toes 30cm above the yellow crash mat, friend standing one step right with arms crossed. CAMERA: Low shin-height framing with subtle handheld motion. MOTION: [0-1.5s] Yejun hangs from the low holds, feet gently swaying 30cm above the yellow mat while his friend watches neutrally. [1.5-3.5s] Yejun looks down between his knees, eyes widening in sudden theatrical panic, frantically pedaling both legs in wide bicycle kicks. [3.5-5s] His torso swings aggressively side to side as he flails his legs, while the friend casually points one finger at the mat directly below. [5-6.5s] The friend calmly crouches, takes hold of Yejun's ankles, and pulls his feet down 30cm to plant them flat on the mat; Yejun's hands slip off the holds. [6.5-8s] Yejun drops onto his knees on the mat, thrusting both fists into the air in a triumphant survival pose while gazing upward. INVARIANTS: Climbing wall, holds, and mat stay rigid and unchanged; no cuts. STYLE: Live-action photorealism, bright cheerful lighting. BACKGROUND: Modern clean Korean indoor bouldering gym.

▶ 쇼츠 보기

• Opus 5 — 95.0 채택
• Gemini — 75.0
• Grok — 35.0
• GPT — -

채택 프롬프트 (Opus 5): SUBJECT: a big golden retriever and a tiny Pomeranian tugging a yellow rope toy; a photogenic Korean woman in her 20s in a clean beige knit sits cross-legged on the sofa in the background, watching them. START: camera at carpet level 1.5m away, side-front three-quarter view; retriever right half, face and chest pointing left, torso leaning back to the right over open carpet; Pomeranian left half facing right, paws planted; the yellow rope bar-tight and horizontal between their jaws. CAMERA: low vertical framing, minimal handheld drift. MOTION: [0-1.5s] both dogs strain, retriever's shoulders roll backwards, tails wag, rope humming tight; [1.5-3.5s] the retriever yanks and shuffles one paw further back to the right, the Pomeranian slides forward on the rug but keeps its grip, then opens its mouth and lets the rope drop; [3.5-5s] the retriever's whole body lurches backwards, head snapping up, hind legs losing purchase; [5-6.5s] the retriever flips onto its back and rolls a full turn across the carpet, four paws in the air; [6.5-8s] it lies belly-up blinking at the ceiling while the Pomeranian re-bites the loose rope and trots left out of frame; the woman claps a hand over her mouth, eyes on the dogs. INVARIANTS: sofa, rug and low wooden table stay rigid and unchanged, one continuous take, same two dogs and one woman, no one looks at the lens. STYLE: photorealistic live-action home footage, bright cheerful daylight, crisp saturated colors. BACKGROUND: a tidy present-day Korean apartment living room with Korean-style low furniture and a warm rug.

• Opus 5 — 95.0 채택
• Gemini — 48.0
• GPT — 42.0
• Grok — 35.0

채택 프롬프트 (Opus 5): SUBJECT: Kang Doyoon, a photogenic Korean man in his 20s, sharp handsome features, neat hair, clean white tee and grey sweatpants, deadpan. START: he squats at his Korean officetel entryway, face and chest pointing straight at the camera, a chest-sized cardboard parcel box directly between his shins and the lens, a palm-sized parcel box 40cm to his right, arms clamped around the big box, heels lifted 3cm with visible daylight beneath. CAMERA: knee-height close wide shot, minimal handheld drift. MOTION: [0-1.5s] he rocks his shoulders and tightens his grip, thighs trembling as he loads up. [1.5-3.5s] he yanks upward with full force and the weightless empty box shoots up over his chest. [3.5-5s] his own momentum topples him backwards onto his seat, legs kicking high, box wobbling above him. [5-6.5s] he sits up, reaches one relaxed hand for the tiny box, it refuses to budge and his knee slams down to the tile. [6.5-8s] he rises with the giant box jammed under one armpit, both hands straining on the tiny box, glaring down at it. INVARIANTS: one take, one person, tile floor, walls and shoe cabinet stay rigid and unchanged, no look at lens. STYLE: photorealistic candid live action, bright cheerful even lighting, crisp colors. BACKGROUND: present-day Korean officetel entryway with shoe cabinet and Korean delivery labels.

▶ 쇼츠 보기

• Opus 5 — 95.0 채택
• Gemini — 85.0
• GPT — 40.0
• Grok — 35.0

채택 프롬프트 (Opus 5): SUBJECT: a photogenic Korean man in his 20s in a clean navy cycling tee on the front seat of a bright yellow tandem, and Shin Yuna, a photogenic Korean woman with bright youthful features in a white tee, on the rear seat. START: mid-climb on a Han River bike path, he faces away up the slope rocking left-right with both feet on the front pedals, she sits upright chest and face turned toward her raised phone, both legs stretched forward 30 cm clear of the empty spinning rear pedals. CAMERA: hip-height waist-up-and-wider side-rear framing, riding alongside, minimal handheld drift. MOTION: [0-1.5s] he pumps hard, shoulders swinging, her legs dangle wide, pedals turn empty. [1.5-3.5s] he twists his head back over his shoulder; she yanks both feet onto the pedals and pumps furiously, cheeks puffed, phone dropped to her lap. [3.5-5s] he nods, faces forward, rises off the saddle. [5-6.5s] instantly she flings both legs straight out and swings them in wide arcs, phone back up at selfie angle. [6.5-8s] legs swinging, she smiles at her own screen, pedals spinning empty. INVARIANTS: one take, same two people, bike frame and path stay rigid, nobody looks into the lens. STYLE: photorealistic candid live-action, bright cheerful afternoon light. BACKGROUND: Han River park path with Korean signage and riverside trees.

• Opus 5 — 95.0 채택
• Gemini — 85.0
• GPT — 75.0
• Grok — 35.0

채택 프롬프트 (Opus 5): SUBJECT: a photogenic Korean man in his 20s, neat hair, white shirt and slim navy trousers, playful smirk, and a photogenic Korean woman in her 20s in a beige knit at the far desk. START: he sits on a black wheeled chair in a bright tile aisle, face and chest pointing straight down the aisle, the gray carpet strip two meters ahead of his front casters, folder up in his right hand, heels just pushing off the tile. CAMERA: low seat-height vertical framing, minimal handheld drift. MOTION: [0-1.5s] he glides forward, both feet kicking the tile, folder waving; [1.5-3.5s] the front casters strike the carpet edge and jam, the chair back tilting up; [3.5-5s] his torso pitches forward off the seat, legs flying high; [5-6.5s] he slides flat along the carpet under the neighboring desk up to his shoulders; [6.5-8s] only his forearm rises, folder held out, the coworker looking down at the hand. INVARIANTS: floor, desks and chair stay rigid, one take, same two people, nobody looks at the lens. STYLE: photorealistic live action, bright cheerful office lighting. BACKGROUND: present-day Korean open-plan office with Korean signage.

• GPT — 95.0 채택
• Gemini — 50.0
• Grok — 35.0
• Opus 5 — -

채택 프롬프트 (GPT): Live-action vertical 9:16 footage at a bright Korean lake dock. Subject: Han Jiho, a photogenic Korean man in his 20s, neat casual outfit. Start: at second 0 he is 3 m from a water-level dock camera, chest and face aimed toward the camera-left yellow kayak and open water; right foot on the kayak deck 60 cm from the dock edge, left foot on the planks, arms out, with a clear 20 cm water gap widening as the untied kayak drifts left. Camera: steady framing with slight handheld drift. Motion beats: [0-1.5s] he shifts weight onto the right foot, arms balancing, kayak gently slides left. [1.5-3.5s] trigger: full weight lands; the hull glides outward and his legs stretch into a widening split over the gap. [3.5-5s] he windmills arms, slips down between dock and kayak, big bright splash. [5-6.5s] twist: he instantly stands upright in knee-deep water, soaked to thighs, face deadpan-confident. [6.5-8s] he grabs the kayak grab-handle and calmly wades forward towing it, eyes fixed on the far shore. Invariants: one take, same people, dock and kayak stay rigid and unchanged, no lens-looking. Bright cheerful realism, Korean signage on the dock.

▶ 쇼츠 보기

• Gemini — 82.0 채택
• Grok — 30.0
• Opus 5 — -

채택 프롬프트 (Gemini): SUBJECT: Oh Harin, a photogenic Korean woman in her early 20s with refined features and neat hair, wearing a clean pastel knit sweater. START: Oh Harin stands behind a white marble kitchen island facing forward, holding a single steaming ramen pot tilted five centimeters above a white bowl on an otherwise empty counter. CAMERA: Medium waist-up shot with subtle handheld drift. MOTION: [0-1.5s] She tilts the pot, pouring steaming golden broth into the bowl. [1.5-3.5s] The instant the broth hits the bowl, two identical steaming ramen pots smoothly slide onto the marble counter beside her wrists. [3.5-5s] As she quickly keeps pouring, four more full pots brimming with noodles and boiling broth rapidly slide in from both edges, stacking two high around her. [5-6.5s] Ten steaming ramen pots form a solid wall along the counter, steam billowing gently while she looks around with polite wide-eyed amusement. [6.5-8s] She calmly raises one wooden chopstick, lifts a single noodle strand from the nearest pot, and takes a tiny deadpan bite while looking down at the noodle. INVARIANTS: Counter and kitchen walls stay rigid and unchanged; no new people appear; her gaze moves from the bowl to the pots to the single noodle. STYLE: Live-action realism, photorealistic lighting, appetizing fresh ramen textures. BACKGROUND: Modern brightly lit Korean apartment kitchen.

• Opus 5 — 88.0 채택
• GPT — 40.0
• Gemini — 32.0

채택 프롬프트 (Opus 5): SUBJECT: Jeong Yejun, a photogenic Korean man, late teens/20s, intense hyper-focused stare, grey tee and shorts, plus a photogenic Korean woman in her 20s walking neutrally on the neighboring treadmill. START: he strides forward on the treadmill, face and chest aimed straight at the camera, the clear hopper of white ping-pong balls tipped against the rear roller directly behind his heels, belt rolling, arms swinging. CAMERA: waist-up-and-wider frontal framing at chest height, 2.5 m back, minimal handheld drift. MOTION: [0-1.5s] he strides, arms pumping, the hopper leaning toward the roller gap, floor still bare. [1.5-3.5s] the hopper's mouth touches the roller and the first balls fire out from under the belt behind him, bouncing high; his chin stays level, gaze straight ahead past the lens. [3.5-5s] the stream thickens into an arcing white fountain pinging off the mirrors and rolling under machines; he pumps his arms harder, shoulders driving. [5-6.5s] his thumb jabs the speed button one notch up, the spray peaks, the floor becomes a bouncing white carpet. [6.5-8s] the woman reaches up, plucks one ball from the air and pockets it, eyes forward; he keeps walking, staring ahead. INVARIANTS: treadmill, mirrors and floor stay rigid and unchanged; one take, same two people throughout; nobody looks into the lens. STYLE: photorealistic candid live-action, bright cheerful gym lighting, crisp saturated colors. BACKGROUND: a clean modern Korean gym with Korean signage and a mirrored wall.

▶ 쇼츠 보기

• GPT — 92.0 채택
• Gemini — 48.0
• Opus 5 — 45.0
• Grok — 35.0

채택 프롬프트 (GPT): Live-action realistic vertical footage in a bright modern Korean cafe. Subject: one photogenic Korean man in his 20s, Kang Doyoon, neat hair, tidy casual outfit, deadpan-cool. Start: At second 0, he sits at a small Korean cafe table, chest and face angled toward the phone while also slightly toward the camera; the phone is near the front edge 25 cm from camera, open earbud case beside it; his right index finger reaches with a clear 5 cm air gap above the pairing button; coffee cup and plate 20 cm to the right. Camera: close medium-wide, minimal handheld drift. Motion beats: [0-1.5s] finger continues down, eyes fixed on the screen. [1.5-3.5s] fingertip taps once; a glossy UI-style “Connect?” panel physically pops out of the phone and inflates to laptop-size, tipping the coffee cup. [3.5-5s] the panel swells past his shoulders; two then four more panels shoot out behind it, sweeping napkins and the plate off the table edge. [5-6.5s] the lead panel grows huge, pushing his chair back in one shove. [6.5-8s] without changing expression, he leans around the panel and presses the tiny “No” corner with one finger, eyes on the corner. Invariants: one take, same person only, rigid cafe interior and table unchanged, no one looks into lens. Bright cheerful lighting, crisp saturated colors, Korean signage blurred in background.

▶ 쇼츠 보기

• GPT — 95.0 채택
• Gemini — 40.0
• Grok — 35.0
• Opus 5 — -

채택 프롬프트 (GPT): Live-action footage in a bright Korean arcade: a photogenic Korean woman in her 20s (Shin Yuna look-alike, youthful, sparkling smile) and a photogenic Korean man in his 20s pose for a phone selfie at a claw machine. Start: at second 0 they lean in, faces and chests aimed at the phone, the prize chute at their right hip is bulging with plushies and a dangling latch strap sits 20 cm from his elbow. Camera: vertical 9:16, close mid-wide, minimal handheld drift. Motion [0-1.5s]: they keep adjusting the selfie pose, smiling at the phone, no plushies out yet. [1.5-3.5s]: his elbow swings and taps the dangling strap; the flap pops and plushies tumble out, bouncing to their ankles then knees. [3.5-5s]: the flow accelerates, plushies ricochet off their legs; one lands on his shoulder, another bumps the phone edge. [5-6.5s]: the pile surges to their waists; she raises the phone higher, still picture-perfect, he deadpan-shrugs. [6.5-8s]: waist-high plushies keep pouring; both keep smiling at the phone while glancing down at the chute. Invariants: one take, same two people, the machine and arcade stay rigid and unchanged; plushies simply fall through the existing chute opening. Bright cheerful Korean signage in background.

▶ 쇼츠 보기

• Gemini — 88.0 채택
• Opus 5 — 45.0
• Grok — 35.0
• GPT — -

채택 프롬프트 (Gemini): SUBJECT: Oh Eunchan, a photogenic Korean young man in his 20s with an intense charismatic gaze, dressed in a sleek dark coat. START: Eunchan strides forward facing the camera down a brightly lit Seoul subway transfer corridor, while five colorful rolling suitcases tip off the downward escalator base two paces behind his heels. CAMERA: Eye-level vertical 9:16 framing with gentle handheld drift. MOTION: [0-1.5s] Eunchan walks forward in steady rhythmic stride; behind him, the initial suitcases glide onto the polished tile. [1.5-3.5s] Trigger: A continuous cascade of colorful hard-shell suitcases pours rapidly off the escalator steps, wheels spinning loudly as they hit the floor. [3.5-5s] Escalation: The stream widens into dozens of rolling bags fanning across the floor; Eunchan lifts his knee in one exaggerated high model stride cleanly over a gliding red suitcase, maintaining intense forward eye contact. [5-6.5s] Twist: A commuter next to him calmly kicks a blue suitcase aside like a soccer pass without looking away from her phone. [6.5-8s] Result: Eunchan continues marching deadpan through a moving river of rolling luggage, gaze fixed strictly on the distant transfer signage. INVARIANTS: Subway tiled walls and signage stay rigid and unchanged; no morphing. STYLE: Live-action photorealistic candid video, crisp fluorescent station lighting. BACKGROUND: Modern Seoul subway transfer station with Korean directional signs.